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   <news:title>“The Future of Threat is Forever”: Canadian Apocalyptic Fiction</news:title>
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   <news:title>To Be a Starfish: Identity and Community in Larissa Lai’s “The Tiger Flu” and Vivek Shraya’s “I’m Afraid of Men”</news:title>
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  <loc>https://discours-e.ca/2026/10/28/posthuman-performativity-apocalyptic-disidentification-in-rachel-by-larissa-lai-and-how-do-we-get-out-of-here-by-lorraine-york/</loc>
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   <news:title>Posthuman Performativity: Apocalyptic Disidentification in “Rachel” by Larissa Lai and “How Do We Get Out of Here?” by Lorraine York</news:title>
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   <news:title>Temporality and the Uneven Experience of Apocalypse in “The Marrow Thieves” and “The Outer Harbour”</news:title>
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   <news:title>Patchwork Family Roles and Tropes in Canadian Apocalypse Literature</news:title>
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  <lastmod>2026-10-28T18:18:16Z</lastmod>
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    <news:language>fr</news:language>
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   <news:title>Scrap Economics in “The Tiger Flu” and “The Back of the Turtle”</news:title>
   <news:publication_date>2026-10-28T18:18:13Z</news:publication_date>
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  <lastmod>2026-10-28T18:31:09Z</lastmod>
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    <news:language>fr</news:language>
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   <news:title>Superstitions and Rituals in Thomas King’s “The Back of the Turtle” and Nicolas Dickner’s “Apocalypse for Beginners”</news:title>
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